AI视界
9号馆 09B02-1
咔唸Katliax是杨隽独立创作的手作匠人品牌，创立于2021年，起源于一次贵州旅行。“Katliax”取字于苗文。“咔唸” \kali:a\为苗语音译，意为“喜鹊”。喜鹊报喜，因时制衣，穿着即传承。
主理人卸任品牌公司设计总监职务后，开始自主创业。基于对传统文化的着迷，探寻本土设计的可行性，致力于将东方美学融入现代生活。“惜物再造”是咔唸自然生发的创作方式，拾遗不弃，将碎片重组，也是一种拾趣，在拼接、糅合中再生长出新的活力。
Katliax is an independent handmade brand created by Yang Jun. It was established in 2021 and originated from a trip to Guizhou. "Katliax" is derived from the Miao language. "Kanian" \kali:a\ is a phonetic translation of the Miao language, meaning "magpie". Magpies bring good news. Clothing is made according to the seasons, and wearing it is a form of inheritance.
After stepping down from the position of design director at the brand company, the founder began to start his own business. Fascinated by traditional culture, he explored the feasibility of local design and was committed to integrating Eastern aesthetics into modern life. "Waste Reuse" is the natural creative approach of KANIAN, picking up the discarded and reassembling the fragments, which is also a kind of fun, and new vitality grows in the process of splicing and blending.
9号馆 09B02-2
Urpflanze由首饰设计师千木创立于2019年。2009年毕业于广州美术学院首饰专业，自此开始了与首饰，金工，自然之间绵长的探索，8年间一直坚持以工作室全手作-传统金工技能制作的方式生产每一件售出的饰品，保持在每一季度的新品设计中呈现新的工艺。
品牌独特的纹理制作大多取自于自然，在褶皱的肌理中窥见山川与河流，以手中工具呈现自然的渺小与壮大，残破与新生的矛盾美学，以此践行着urpflanze是以匠心精神为主导的原创手工银饰品牌之路。
Urpflanze was founded in 2019 by jewelry designer Qian Mu. Qian Mu graduated from the jewelry major of Guangzhou Academy of Fine Arts in 2009, and has since started a long exploration with jewelry, metalworking and nature. For 8 years, the brand has insisted on making every sold piece of jewelry fully by hand in the studio with traditional metalworking skills, and keeps presenting new craftsmanship in each season's new design.
Most of the brand's unique textures are taken from nature. You can see mountains and rivers in the wrinkled texture, and the tools in hand present the contradictory aesthetics of smallness and grandeur, brokenness and rebirth of nature. In this way, Urpflanze practices its path as an original handmade silver jewelry brand led by craftsmanship spirit.
Urpflanze 全新系列
在2026年全新系列《convolve》中，urpflanze在过往大体量的素银设计风格中融合更轻量耗时的金属编织工艺，自主试验研发的新工艺是品牌前所未有的全新尝试，既保留了经典自然元素的延伸，也融入新的血液使品牌风格焕然一新。
In the 2026 new collection Convolve, Urpflanze blends this more time-intensive metal braiding technique into its classic silver design style.
This self-developed new craft is an unprecedented fresh attempt for the brand. It keeps the extension of classic natural elements and brings new energy to refresh the brand style.
9号馆 09B02-3
了了创造是一个以新解构主义的浪漫与现代极简主义美学为主体的品牌。解构主义往往给人带来一种沉重的思考，因为它严肃、理性、甚至苛刻，系列试图在理性的基础上诠释一种随性、自在的表达方式。服装作为载体，它的呈现价值可能比我们当下的认知更加具体和明确，它从来就不是主角，没有办法表达一个人真正的内心诉求，但从某种意义上来讲它又扮演着非常重要的角色，因为它是一个人知行合一的另外一种表述。
Liao Liao Creative is a brand defined by the aesthetics of neo-deconstructivist romance and modern minimalism. Deconstructivism often evokes a sense of heavy contemplation—serious, rational, even rigorous. The collections attempt to express a spontaneous and effortless mode of expression on the basis of rationality. Fashion, as a vehicle, delivers a value that may be more concrete and precise than our present understanding. It is never the protagonist; it cannot fully express one’s inner desires. Yet in a sense, it plays a crucial role, because it is another form of expressing the unity of knowledge and action.
亮点内容介绍
系列试图从理性当中寻找感性的路径，把严谨的结构主义以自在、浪漫、轻松的形式表达出来。色彩多以无彩色系列和低饱和灰呈现，希望在禁锢中得以深呼吸，呼吸之间寻找内心的精神乐园。面料方面采用了代表女性特质的真丝、丝绒、结合天然棉质和新型纺织材料，包括聚酯纤维带来的可塑性，充分体现了当下大趋势的社会背景中新女性特质的崛起：独立、自信、深具创造力、勇于冒险与担当，一个崭新的女性形象应运诞生。
The collections seek to find an emotional path within rationality, presenting rigorous structuralism in a spontaneous, romantic, and relaxed manner. The color palette is dominated by achromatic colors and low-saturation grays, aiming to let one breathe freely within confinement, seeking an inner spiritual paradise between breaths. For fabrics, the brand uses feminine materials such as silk and velvet, combined with natural cotton and new synthetic materials, including the plasticity offered by polyester. This fully reflects the rise of a new female identity against the backdrop of the current social trend: independent, confident, deeply creative, courageous in taking risks and embracing responsibility—a brand-new image of woman is born.
9号馆 09B02-8
隈，是在时代的山川河流转弯处，对中国餐桌生活的重新审视与思考。
Atelier wei 隈创立于2020年，依托主理人数十年高古器物收藏，以唐宋审美为尺度，探索当代餐桌器物的转化与再生，推动中国陶瓷之美从“古”走向“今”的转化过程。
品牌包含两条造器路径：工坊出品“隈”系列，与在地匠人手作“永”系列。产品涵盖餐器、茶器、花器、酒器与礼器，并提供面向个人、家庭、餐厅、会所及企业客户的定制化生活提案。
Wei 隈 names the bend in a river, the place where mountains meet water and turn. It is also where Atelier wei begins: a reexamination of the Chinese table, and of what it means to eat and drink with intention.
Founded in late 2019, the atelier is rooted in the founder's lifelong collection of ancient Chinese ceramics. The Tang and Song dynasties are its measure — not as a style to imitate, but as a standard to think from. From that foundation, Atelier wei works to bring the beauty of classical Chinese ceramics into the rhythms of contemporary life.
Two lines define the work: the workshop "Wei隈" series, made with calibrated consistency; and the handcrafted "Yong永" series, shaped by local artisans working within living kiln traditions. Together they span dining, tea, flower, wine, and ceremonial ware — and extend into bespoke table proposals for individuals, households, restaurants, clubs, and corporate clients.
亮点内容介绍
本次展览，Atelier wei 隈将完整呈现品牌近年来建立的器物体系与空间组合关系。
现场将同时呈现两种观看路径：在地匠人系列以单件陈列展开，呈现器物本身的形制与气韵，不同窑口、材料与手作痕迹之间的细微差异；并与工坊系列一同，以餐桌、茶席的组合方式铺陈，强调器物的搭配关系与日常使用状态。
从单件器物到成席——本次展览希望呈现的，是传统材料、地方工艺与当代生活之间仍在生长的联系，以及一种关于中国当代生活气象的整体提案。
This exhibition offers a complete view of the vessel system Atelier wei has developed — not only the objects themselves, but the relationships between them, and the sense of order that emerges when they are brought together in space.
Two ways of looking are presented side by side. The handcrafted "Yong永" series is shown piece by piece: each vessel its own world, shaped by a distinct kiln tradition, a particular clay and glaze, the specific touch of one pair of hands. The workshop "Wei隈" series is arranged as composed table settings — dining spreads and tea gatherings — where the focus shifts from the individual object to the life it enables.
From a single bowl to a full table. From ancient craft to the contemporary everyday. What this exhibition proposes is that the connection between traditional materials, local knowledge, and modern living is not something to be preserved behind glass — it is still growing. This is Atelier wei's offering: a vision of the Chinese table, lived in, today.
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